Logo reads: "The Actor's Checklist"
ACTORS
ACTORS
An Actor's Eyes
Last updated 9/16/06

Make Effective Use of Media and Publicity Tools to Raise Your Social Profile and Further Your Career

Getting coverage by the media is essential for keeping your name before the public (and producers and directors), which in turn helps to build your following which then stimulates demand for your services. How should the media be approached? Here are some some ways to get started:

Check List of Tools for Using the Media to Build Your Career

Having a Press Agent or Publicity Person.
Saving all press clippings of your performances.
Having a directory of press and media contacts.
Requesting a publication’s theatre or cultural critic come see and review your play or showcase.
To have placed, and perhaps maintain on an ongoing basis, an event listing that describes your presentation, and when it runs.
Pitching to have a lengthy feature story written or broadcast for you.
Getting coverage at awards ceremonies for awards you have recently won.
Announcing in advance any educational, social or humanitarian events that do not happen often that you or your theatre group will present or sponsor.
Use our communication tools (chat room; message board; messaging tools etc.) to reach others who can provide you with more help and information
Traditionally, correspondence requesting coverage is mailed to the appropriate editor at a publication or other media company many weeks, if not months in advance. When making a first-ever introduction to the press corps, an artist or artistic group might want to deliver a press packet. Contents of a press packet or press kit might include:

For subsequent news information after a press kit has been sent out, usually a standard press release mailed to the editor, with a follow-up phone call will do. Information that you send to an editor needs to hook their interest by providing a unique angle, approach or pitch. This hook or pitch doesn’t need to be splashy and extravagant, but it certainly helps for it to be trail blazing (first of its kind) and timely. It needs to turn a run-of-the-mill calendar listing into news if possible. In the newsroom, they need to know why something will make an interesting story, or simply merit coverage among several other competing items within what will be limited news coverage space.

Reporters and editors generally have very little time. They usually have several things going on at once, and they are always under deadline. Because of the overloaded electronic environment bombarding them with information -- ringing phones, faxes, PC and PDA email and instant messenger news alerts -- editors look for reasons to discard unlikely items. That is why it is crucial to make things as easy as possible for editors to slip your item into production with as little fuss and reworking as possible.

Despite all the stories/newsitems competing for coverage, the news business is very much based on timing. Size can also be a factor. The bigger the media market, the less likely it is the major metro paper(s) will have an interest in small scale productions. Nonetheless, it does happen, and timing can be the primary reason why. After all, it is better to be a space filler than to receive no coverage at all. Overall, your job is to make it as easy as possible for editors to give your production that recognition. Also, by giving editors your message in an easily digestable form, you have more control over your own message, and what gets released to the public.

A simple approach to organizing and presenting information to the news media can be outlined as follows:

Terms To Know

Acting Resume. Focuses exclusively on acting and establishes your credibility as an actor by listing your acting experience and training as well as promote you as an actor to agents and casting directors.

Billing. The size of an actor’s role such as starring or guest starring. Also, where the actor’s name will be placed in the credits and if the name will be shown on the screen alone or with others.

Biography. A concise account of an artist or group’s industry related experience or background.

Consumer Publication. Entertainment oriented periodicals written and published for a general public readership, i.e., Rolling Stone, Spin.

8 x 10 Glossy Pictures. The primary calling card to the people who will be calling you in for interviews and auditions, and casting you in their productions.

Press Kit. A presentation including newspaper clippings, review of movie, television, musical and theater productions, a biography, headshot and resume given to the media and interested industry professionals. Also called a press package.

Publicist. A person hired to create awareness of a person or project.

Trades. Industry newspapers and magazines read by all professionals to keep up with trends and news in the entertainment business.

For a full glossary listing click here

Once you have the message narrowed down, there are a number of ways to get that message to the media. The most important are press releases, photo opportunities, feature stories, and calendar listings. There can also be more extravagant promotional tactics and strategies certain to draw attention. Personal interviews and press conferences are used less often, but reviews are often a common item.

The Anatomy Of A Press Release

Press releases are the standard vehicle to get information to editors and reporters. A press release contains all the information an editor needs to either rewrite it so that it fits smoothly into the format of the news service, or to pass it along to a reporter for further investigation. This information is organized from most to lease important

Open with a short, concise lead paragraph. It should only be one or two sentences long and the information should be general. Always include the company’s full name in the lead, followed by the appropriate abbreviation. For example, a lead might say, “next weekend, Theatre of Social Consequence (TOSC) will present...” On subsequent references to the theater, you need only refer to the acronym/abbreviation TOSC.

The second paragraph in the release should include specific details about the show’s time and place. Subsequent paragraphs should include a synopsis, quotes from the director or the theater’s board, and more details where needed. Presenting news this way is called the inverted pyramid style of news writing. The most pertinent and eye catching details go first, then, as the story progresses, get more specific. If editors need to cut something from a news story, they start at the end and work their way toward the beginning, anticipating that most press release information follows the conventions of the inverted pyramid style of presentation.

Largely because of this, a press release should end with a standard paragraph. The standard paragraph is two or three sentences that say something about the production, company or event. It could be a quick history, an adaptation of a mission statement, or something similar. If the release gets edited, the first thing to go is the standard paragraph, which is the least important information as it relates to the overall goal of getting news coverage.

The Role Of The Publicist

When an actor has a substantial role in a movie, play, has written a book or has won an award, the actor’s publicist will send out press releases to newspapers, magazines, television, radio and the Internet seeking to get this newsworthy information on the actor’s recent accomplishments coverage. The value or role of a publicist, or press agent as they are also known as, is to be able to gain placement in the popular media of newsworthy items concerning the actor’s achievement, usually because the publicist has solid connections and/or was a member was a member of the press corps themselves. A publicist is also involved with many aspects of an actor’s career, from molding an image to consulting on career decisions. Publicists can arrange media interviews (television, print, radio, Internet), arrange layouts, supervise photo sessions, create press materials, and give general advice that promotes an actor and gives them visibility in the public eye.

Getting Your Press Information to the Media

For your convenience, there is a compiled listing of mostly print and online media publications with a strong focus on the entertainment and arts field. They range anywhere from general interest tabloids, to alternative newspapers, to associations and organizations that put out their own member subscribed magazines and scholarly journals. If you are ambitious enough to do your own press mailings, you might find this listing useful to your needs. Click here to go to the list.

Launched in May 2005, Newsmotto.com is a free online press release distribution and publishing service launcher under the beta preview program. Companies have to be registered members to post the press releases for free which you can do by clicking this link.

Useful Books

Promoting Your Acting Career
by Glenn Alterman
224 pages; (October 1998)
Publisher: Allworth Press; ISBN: 1880559978
The Handbook of Strategic Public Relations and Integrated Communications
by Clarke L. Caywood (Editor)
574 pages; (May 1997)
McGraw-Hill Trade; ISBN: 0786311312
Ruthless Self-Promotion in the Music Industry
by Jeffrey P. Fisher
200 pages; (June 1999)
Hal Leonard Publishing Corporation; ISBN: 0872887146
On Deadline: Managing Media Relations
by Carole M. Howard, Wilma K. Mathews
346 pages; (January 2000)
Waveland Press; ISBN: 1577660862
Getting Attention, Leading-Edge Lessons for Publicity and Marketing
by Susan Y. Kohl
176 pages; (March 2000)
Butterworth-Heinemann; ISBN: 0750672595
This Business of Music Marketing and Promotion
by Tad Lathrop, Jim Pettigrew
320 pages; (March 1999)
Billboard Books; ISBN: 082307711X
The Complete Guide To Publicity
by Joe Marconi
256 pages; (March 1999)
McGraw-Hill/Contemporary Books; ISBN: 0844200913
The Stage Directions Guide to Publicity
by Stephen Peithman, Neil Offen
144 pages; (April 1999)
Heinemann; ISBN: 0325000824
The Self-Promoting Musician: Strategies for Independent Music Success (Music Business)
by Peter Spellman
304 pages; (February 2000)
Berklee Press Publications; ISBN: 0634006444
Publicity & Media Relations Checklists
by David R. Yale, Anne Knudsen
200 pages; (January 1995)
McGraw-Hill/Contemporary Books; ISBN: 0844232181
The Publicity Handbook: The Inside Scoop from More than 100 Journalists and PR Pros on How to Get Great Publicity Coverage
by David R. Yale, Andrew J. Carothers
464 pages; (May 2001)
McGraw-Hill/Contemporary Books; ISBN: 0844232424
Public Relations Kit for Dummies (For Dummies)
by Eric Yaverbaum, Robert Bly (Contributor)
346 pages; (January 2001)
John Wiley & Sons; ISBN: 0764552775
Six Steps to Free Publicity: And Dozens of Other Ways to Win Free Media Attention for You or Your Business
by Marcia Yudkin
240 pages; (March 2003)
Career Press; ISBN: 1564146758

Click the titles of the above books for their availability, or enter the title of a book not shown in the above listing in the search box below.

 

Search for magazines by entering the title or keywords in the search box below.

 

Relevant Associations & Organizations

Asian American Journalists Association (AAJA)
1182 Market Street
Suite 320
San Francisco, CA 94102
Phone: 415-346-2051
Fax: 415-346-6343
As a non-profit membership organization with about 1700 members in 18 chapters across the U.S. and Asia, AAJA’s largest membership bases are generally concentrated in metropolitan areas on the West Coast (Los Angeles, San Francisco, and Seattle), East Coast (New York City and Washington, D.C.) and Mid-West (Chicago).  
Email: National@aaja.org
http://www.aaja.org
Museum of Television and Radio
West Coast
465 North Beverly Drive
Beverly Hills, CA 90210
Phone: 310-786-1025 for daily information on scheduled activities;
310-786-1000 for all other information
Performers, critics, writers, directors, producers, and journalists come to the Museum to discuss topics ranging from the collaborative process behind programming to significant events in the media industry.  The seminars include television and radio clips from the Museum’s collection, and time for the audience members to ask questions.  Informational and networking functions for members closed to the rest of the public.
Email: membership@mtr.org
http://www.mtr.org/welcome.htm
Museum of Television and Radio
East Coast
25 West 52 Street
New York, NY 10019
Phone: 212-621-6800 for daily information on scheduled activities; (212) 621-6600 for all other information.
Performers, critics, writers, directors, producers, and journalists come to the Museum to discuss topics ranging from the collaborative process behind programming to significant events in the media industry.  The seminars include television and radio clips from the Museum’s collection, and time for the audience members to ask questions.  Informational and networking functions for members closed to the rest of the public.
Email: membership@mtr.org
http://www.mtr.org/welcome.htm
National Alliance for Media Arts and Culture
145 Ninth Street, Suite 250
San Francisco, CA 94103
Phone: 415-431-1391
Fax: 415-431-1392
A nonprofit association composed of diverse member organizations who are dedicated to encouraging film, video, audio and online/multimedia arts, and to promoting the cultural contributions of individual media artists.
Email: namac@namac.org
http://www.namac.org
National Association of Black Journalists (NABJ)
c/o University of Maryland
8701-A Adelphi Road
Adelphi, Md.  20783-1716
Phone: 301-445-7100
Fax: 301-445-7101
Mission is to strengthen ties among African-American journalists, promote diversity in newsrooms, honor excellence and outstanding achievement in the media industry, expand opportunities and recruiting activities for established African-American journalists and students interested in the journalism field.
Email: webmaster@nabj.org
http://www.nabj.org/
National Association of Hispanic Journalists (NAHJ)
1193 National Press Building
Washington, DC 20045-2100
Phone: 202-662-7145
Fax: 202-662-7144
Toll Free: 888 346-NAHJ
Dedicated to the recognition and professional advancement of Hispanics in the news industry.
Email: nahj@nahj.org
http://www.nahj.org
National Coalition Against Censorship (NCAC)
275 Seventh Avenue
New York, NY  10001
Phone: 212-807-6222
Fax: 212-807-6245
An alliance of over 40 national non-profit organizations, including literary, artistic, religious, educational, professional, labor, and civil liberties groups united by a conviction that freedom of thought, inquiry, and expression must be defended.
Email: ncac@ncac.org
http://www.ncac.org/
National Lesbian and Gay Journalists Association (NLGJA)
1420 K Street, NW, Suite 910
Washington, DC 20005
Phone: 202.588.9888
Fax: 202.588.1818
Email: info@nlgja.org
http://www.nlgja.org/
Journalists, online media professionals, and students that works from within the journalism industry to foster fair and accurate coverage of lesbian, gay, bisexual and transgender issues.
For a full listing of helpful associations and organizations click here






Homepage | Index of Shopping Choices | Contact Us | Communicate Your Thoughts to Someone | Research With Google Tools | Site Index | Post Your Photo/Send an eCard | Legal Disclaimer and Terms of Use

Copyright © 2004, Cool Fire Technology, LLC, all rights reserved